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Lord Sko Shares on His Upcoming Album ‘PIFF’

Lord Sko Shares on His Upcoming Album ‘PIFF’

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NYC’s rising rap talent Lord Sko is gearing up for his next big move, announcing the official tracklist for PIFF, set to drop on March 28. The 15-track album boasts features from hip-hop heavyweights like Curren$y, Conway The Machine, and MAVI, alongside legends such as Del Tha Funkee Homosapien and Grand Puba.

With production from Statik Selectah, Harry Fraud, Tony Seltzer, and 18-year-old prodigy Arlo Walker, PIFF is shaping up to be a stoner’s dream. To build anticipation, Lord Sko has dropped “Robinhood,” a new single produced by Tony Seltzer and Grimm Doza.

Ahead of the album, Sko details what fans can expect from the PIFF album and more.

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The Source: Can you tell us the inspiration behind your upcoming PIFF album?

Lord Sko: PIFF came from a mix of emotions. I was experiencing some of the best moments of my life while also going through some tough times. I always try to grow from my experiences, good or bad, so this album represents a major period of growth. While making it, I was adjusting to everything—industry politics, relationships, and just growing up in general. I also wanted to pay homage to the “blog era” of rap by incorporating psychedelic themes around weed and drug use, which was inspired by Wiz Khalifa and Mac Miller.

I wanted to do something different from my last two albums. Those felt like a continuation of one another, which worked for storytelling, but this time I wanted to branch out and explore new sounds. It still feels like a Lord Sko album, but I’m showing more versatility and giving my fans a palette refresher. Some unexpected things happened while making PIFF, but you’ll have to listen to find out.

You’ve collaborated with a wide range of artists on PIFF. How did those collaborations come about, and what was the creative process like?

Shoutout to my management—Saleem and Dante—they really made it happen. Everything came together organically through their connections. I’d send them ideas and open verses, and they got exactly who I wanted on each track. Every artist who hopped on delivered a strong verse.

With each collab, I made an effort to tap into their style while still keeping it in my world. That’s not always easy, especially with the variety of artists on the album. But going into PIFF, I knew I wanted to experiment with new sounds, and having different artists around helped push that.

Your music has been described as a blend of classic NYC rap and modern influences. How would you define your own unique sound?

I take the essence of classic New York hip-hop and blend it with my own style. I want my music to feel cinematic, psychedelic, bold, and even funny at times—so my personality comes through. I respect what NYC hip-hop stands for, but I also like to add elements that make it distinctively mine.

You’ve had success with tracks like “Superstition” and “FINDER’S FEE.” What do you think makes those songs resonate with listeners?

Those are two very different records, but I think my fans gravitate toward the rawest ones. When I’m spitting some real, dope shit over a funky beat, that’s what people connect with the most. That’s the type of music they want more of.

You’ve mentioned your admiration for artists like Wiz Khalifa and Mac Miller. How have they influenced your music?

Wiz and Mac made some incredible music, but they also represented a whole movement. That “blog era” was crazy—Joey Bada$$, Action Bronson, Danny Brown, A$AP Mob, Tyler, the Creator, Earl Sweatshirt, Vince Staples, Curren$y… they were all part of it. It was a revivalist period that still felt modern and accessible. That’s the approach I take with my own music—paying homage while keeping it fresh for today’s audience.

What are your goals for the future of your career?

I want to keep growing my fanbase, not just in NYC but everywhere. And it’s bigger than just music—I want to build a movement. I see myself bridging classic New York hip-hop with the next wave of artists while also stepping into fashion and film. I’ve already got a few things in the works, and my fans are going to be part of this journey. Expect crazy visuals, unexpected collaborations, and even creative projects outside of music.

My goals aren’t about numbers—they’re about impact. Of course, streams and awards are great, but I want to be a true representation of the culture.